Not just winners, but runners-up, finalists and semi-finalists are among those who have submitted materials to be evaluated two, three or even four years in a row. "Certainly, individuals and groups apply to win," said David Katz, chief judge of the competitions, "but I think there are many more reasons than that, and they point to why The American Prize has become such a unique and valued national arts competition."
Here are some of the reasons many contestants apply, and apply again.
LOCAL, REGIONAL and NATIONAL RECOGNITION that truly makes a difference: When an individual artist or ensemble is honored by The American Prize for excellence, whether as a winner, runner-up, finalist, or even semi-finalist, they receive national validation difficult to achieve elsewhere. Contestants tell us that visibility in the competitions drives local attention and appreciation for individual artists, for ensembles and conductors, and can help lead to larger audiences, additional recognition, better recruitment and even larger donations.
Here are some thoughts from recent TAP laureates:
Donald L. Appert, DMA
Music Director/Conductor - Clark College Orchestra
Music Director/Conductor - Oregon Sinfonietta
Artistic Director and Conductor – Jewish Community Orchestra
Music Department Chair & Professor of Music - Clark College
writer member of ASCAP
2011 Winner of The American Prize in Orchestral Programming - Vytautas Marijosius Memorial Award
It was not only a privilege to have been adjudicated and chosen by distinguished judges, but the award has garnered much recognition and praise for the orchestra in the local press and from alumni, administration and faculty through its mention in college publications.
The award has been a significant affirmation of our orchestra program."
Associate Professor and Orchestra Conductor
Conservatory of Music, Wheaton College
I am certain the national awareness of your program will continue to grow, as you are reaching into many communities to help them grow! We at OCO look forward to helping your Award be visible in our community for years to come."
OCO Music Director
UNBIASED FEEDBACK: All applicants to The American Prize who achieve finalist status or higher receive written evaluations from one or more of the distinguished judges on our panel. These individuals are persons as varied in skills and training as we hope the winners of The American Prize will be. They bring real-world experience to their task, knowing the complexites, rewards and challenges individual artists, conductors and ensembles face in 21st century America. Each is charged to provide evaluations that we hope the contestants themselves will deem respectful, perhaps insightful, and of real value.
FAIRNESS: "As I watch the applications arrive each competition season from all across the country, I never have any idea who the ultimate winners will be," commented Maestro Katz. "There is always sense of discovery—of finding a gem of an ensemble or a tremendously talented individual artist or music director in an unexpected place, or a group or conductor in a major city achieving extraordinary results. When a familiar name crosses my desk because they have applied before, there is that added excitement to see and hear what they are up to this season—how good they will be be, how much they have achieved, what repertoire they have tackled—and, in the back of my mind the most interesting question: "how will my fellow judges rank their submission this year in relation to all the others?"
LONGEVITY: Although The American Prize is awarded annually, the benefits of success in the competitions do not expire with the turning of the calendar. Many TAP winners, runners-up, finalists and semi-finalists continue to trumpet their placement in the contests for years after the original result. Often, the TAP logo remains on their website long after the competition year, a real "seal of approval," —and success in the contests continues to be highlighted prominently in their publicity. The American Prize means that much.
And should an individual artist, conductor or ensemble apply and place highly a second or third year, that recognition points to a level of ongoing quality that can be a career boon throughout the community, regardless of where the artists are based geographically.
CERTIFICATES: Every contestant who achieves semi-finalist status or higher in the competitions of The American Prize receives a individualized certificate, suitable for framing. Now that The American Prize has found a vendor to provide frames personalized to the needs of the contestant, we expect that many more will be hanging in offices, studios, rehearsal locations, lobbies and board rooms all across the country.
(Information about how to purchase 2013 TAP Gifts will be published soon.)
CASH PRIZES: A single cash award in each category is presented. Cash prizes range from $100 to $500, depending on the year, the competition, and the number of entrants. As the contests and our fund-raising efforts grow, we expect to be able to award larger prizes in more categories. (The American Prize has awarded more than $10,000 in prize money since 2010.) Winning cash is fun, of course, but it is clear that the benefits of The American Prize extend to far more than dollars.